Showing posts with label catwalk make-up. Show all posts
Showing posts with label catwalk make-up. Show all posts

Friday, 4 October 2013

A/W13-14 Make-up Trend: Dark, Sultry Lips


Remember the late 90s, when we all used to experiment with dark reds and browns on our lips? Well, it seems that dark lips are making a comeback.  The AW13 catwalk shows were awash with red wine stained lips.
Backstage at Phillip Lim AW13 Show

Zac Posen AW13


 
But rather than being perfectly lined and even in colour, the newest trend is to give the lips a stained effect with the colour strongest towards the centre of the lips, fading towards the lip line. The lip often has a matte finish.
Antonio Marras AW13

 

I love wearing dark lipsticks and I have been experimenting with rich, dark reds and browns in my recent shoots. Here is a photo from a shoot I did with photographer, Terri Lee Shield, recently.  To achieve this lip colour, I applied one of my favourite matte lipsticks, M.A.C. Ruby Woo, and then deepened the colour with plum and even black lipsticks and lip pencils.
Hair and Make-up by Donna Harris (The Make-up Darling)
 

On my shoot yesterday, I decided to go for a matte brown lip on the model and so used M.A.C. Chestnut Lip Pencil all over the lip.
Hair and make-up by Donna Harris ( The Make-up Darling).
 
 
 
Here are a few of my favourite dark lip colours:
 
 
From top to bottom:

 
·         Dawn Crème Lipstick by Make up Store (black)
·         Black Cherry Lipstick by Revlon (deep plum)
·         Nightmoth Lip Pencil by M.A.C.  (deep purple/plum)
·         Fever Liqui-Gel Stain by Beaute (dark red)
·         Hermetic Intense Lip Gloss by Illamasqua (deep wine red)
·         Control Lipstick by Kevyn Aucoin (raisin/brown)
·         Havanna Glossy Lipstick by Make Up Store (plum/brown)
·         Chestnut Lip Pencil by M.A.C. (deep brown)
 
 

Sunday, 20 November 2011

All That Glitters...

Hello all!  I’m sorry that I haven’t posted anything for a while.  It has been a crazy couple of weeks for me.  There is so much I want to share with you so expect more than one post this week.  You can also now follow me on Twitter (@donnaharris_mua) and of course there’s The Make-up Darling Facebook page (link at the bottom of the page), where I post extra photos of my work and chat about products that I like.
This post is a cautionary tale.  I recently received an email, forwarded from a very reputable source, asking for trainee make-up artists to assist a make-up team backstage at a big fashion show in an exclusive London nightclub.  The position was unpaid but as catwalk make-up is an area that I am very interested in getting into and as the email stated that we would be assisting “top industry professionals”, I jumped at the chance as I thought it would be a great way to gain experience and network with top make-up artists that may like my work and want to use me again in the future. 
So in an effort to impress and appear professional to these top make-up artists I made enquiries into what was the go-to foundation of choice of make-up artists when doing a fashion show: something that was certain to photograph on a models skin when all the flashes from photographers’ cameras go off.  I went out and spent money I don’t really have on three different shades of the recommended foundation (MAC Face and Body) to make sure my kit was full.  I also bought a new outfit as I was told by the organiser that they’d be a videographer and photographer doing backstage interviews and taking photos.  Well, a girl’s got to look her best, hasn’t she...especially when it could be her big break!
So last night I turned up at the venue (which, incidentally was on the other side of London from where I live) all giddy with expectation and the effects of a hastily downed can of Red Bull, only to find that there were no top make-up artists to be assisted – only around seven other students or recent graduates of various London make-up schools, just like me!  Imagine my disappointment!  And what made it worse was that (maybe naively) as I thought I would be assisting a professional, I had not asked the fashion stylist/organiser who emailed me what look she was going for with the make-up because, well, why would I when I thought I would be briefed by a professional make-up artist?  So I hadn’t packed my craft box full of gold leaf, sequins, diamante, feathers etc, which turned out to be exactly the type of thing the stylist wanted!  Thankfully, I had enough black and gold eyeshadows, gold glitter and eyeliner to get by, and what I did not have was provided by another student make-up artist. 
The poor models were call complaining because they had been at the venue for hours, un-fed and un-watered, and some didn’t know how they were going to get home after the show (which was due to start at midnight).  I ended up playing counsellor and pharmacist to many of them who had headaches and came to my makeshift make-up station (in the disabled toilet!) for paracetamol and a chat. Thank God I’d packed a First Aid kit. These girls were working unpaid to with the promise of a professional photographer backstage taking shots for their portfolio – again, something that never materialised.
In the end, we managed to fulfil the stylist’s make-up brief and make the models look gorgeous.  The MAC Face and Body foundations went on beautifully on one model’s face and another model’s legs (mysteriously covered in cuts and bruises) so I am thankful that I bought them.  But last night served as a harsh reminder that not everyone out there is as genuine as me and that some people will lie to get what they want at the least expense.  It’s a lesson I learnt in my dancing and modelling days; people will always take advantage of your passion for your art and your desire to reach your goals. 
Oh, the joys of working in a creative industry....!

Make-up by me except for the gold leaf, which was added by another MUA




Wednesday, 14 September 2011

Play Time!

This week, we have been getting more artistic at make-up school and working on more avant-garde and conceptual looks for photography and catwalk.  Having seen photos from haute couture fashion weeks with models sporting very imaginative, cutting-edge looks, I was keen to see if I could master the art myself.  However, I was never particularly good at art in school: I was always a bit too ‘safe’ and light-handed with my 2B pencil and this style of make-up definitely calls for you to 'play' with make-up, push the boundaries and design works of art.
We started by taking the 20’s inspired look (see previous post) and (under the instruction of our tutor) layering make-up over this to achieve a more artistic look:




Then, today, as I was the only student in class, my tutor and I had an opportunity to take the conceptual look a bit further.  I don’t know if any of you managed to grab a copy of this week’s Stylist Magazine on your way into work this morning, but in the beauty section there was an article and six page editorial demonstrating the work of an amazing make-up artist, Alex Box. Box is a truly inspirational make-up artist and her work beautifully traverses the boundaries between make-up and art. She is the Creative Director of Illamasqua, which is fast becoming my favourite make-up brand.
Using the ‘Cubism’ inspired look as inspiration, my tutor demonstrated the techniques for creating angular shapes on one half of my face and I did my best to complete the other half. 






Photo of the image in Stylist Magazine that inspired today's look!

Isn't make-up amazing?  Feel free to comment on this or any of my other posts.